Writing the personal essay (order an essay inexpensively)

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Tips for Writing a Personal Narrative Essay

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The overall application package will represent who “you” are to people whom you will most likely not know personally. The written expression of your qualities as an applicant will often be a very important way for committee members to get to know why you are an acceptable candidate for their program. Thus, it is essential to take great care in preparing this part of your application. Because graduate schools make important selection decisions that are partly based on what you say in this essay, the writing of it can be an intimidating prospect.

To begin your essay, brainstorm using the following questions:

  • What might help the evaluating committee better understand you? What sets you apart from other applicants? Who will be applying for the same program?
  • Why are you interested in this field? What things have stimulated and reinforced your interest?
  • How did you learn about this field (classes, seminars, work experience)?
  • What are your career aspirations?
  • Are there any gaps or discrepancies in your academic record that need to be explained?
  • What skills or personal characteristics do you possess that would enhance your chances for success in this field?
  • Why should an admissions committee be interested in you?

Write the first draft from this, then try to find an angle or a hook which can sink into the admissions committee; a good place to start is with an original and provoking opening paragraph. One of the worst things you can do with your personal statement is to bore the admissions committee, yet that is exactly what most applicants do. Admissions committees see thousands of “I have always wanted to be a. ” opening paragraphs, so a good way to make the essay more interesting is to write about an anecdote or memorable incident that led you to choose the particular profession. This can help add drama, vitality, and originality to the statement. It is important, however, that the anecdote is related to the questions asked and not just a retelling of a catchy life drama.

After you have written the first, second, or third draft, there are another set of evaluative questions that you can work through to help you revise your essay.

  • Does the opening paragraph grab your attention?
  • Is the statement interesting or does it put you to sleep?
  • Is it a positive portrayal? Is it upbeat and confident?
  • Is it an honest portrayal?
  • Have you answered all the questions thoroughly?
  • Has anything relevant been omitted? Work or academic experience?
  • Does the statement provide insight into your character?
  • Is it well-written? Is the grammar, tone, and verb agreement perfect?
  • Are there any typos?

For your final draft, be sure to avoid sloppiness, poor English, spelling errors, whining, manufacturing a personality, avoiding the questions that are asked on the application, high school experiences, personal biases about religion, ethnicity, politics, sexist language, revealing of character weaknesses, and arrogance.

The personal statement is extremely important in gaining admittance to graduate and professional schools. Although it can be frustrating to write an original and well-devised statement, through time and drafts it will be written. The ones that are good take time. The ones that are bad can sabotage your chances for success. It is also important that you show your drafts to a Writing Center tutor, your academic advisor, Career Planning advisor, and friends; they will help you write an essay that reveals the right balance of personal and academic characteristics and specifics.

Once you have developed a sense of the faculty’s interests and the department’s special features, you can make it clear in your application exactly why you want to attend that particular school. What is it about the department’s curriculum structure or general approach to the field that makes you interested in being a student there? Don’t waste your valuable essay space, or your reader’s valuable time, telling the reader how wonderful or prestigious their institution is; people on the admissions committee already know this. They want to know about you.

Nonetheless, if there are special programs or institutes at the school that seem appealing to you, briefly mention that you are interested in becoming part of them. For example, state that you “want to be a member of the XYZ Group for Blank and Blank Studies because . “, but don’t tell them how great, well respected, and world-renowned this part of the school is.

If, during your research on the department’s faculty, a faculty member strikes you as someone whom you might be interested in working with, indicate this in your essay; be concise and specific about why you want to work with this person in particular. A word of caution here: Do not try to use this as a way to “butter up” the admissions committee, because if there is any reason to believe that you are not sincere, your application may be adversely affected. Again, mention the person and how their work relates to your interest, but don’t load this statement with what might be interpreted as false or superfluous praise.

Personal Information

Some applications may ask you to give a personal history, telling about experiences that you have undergone which have led you to decide to pursue graduate education in a certain field of study. (If personal information of this sort is not required, then you are under no obligation to provide it.)

The information that could be included in a personal-type statement is limited only by your own imagination and life history, but you should be highly selective about what you include. There are two things to watch out for: (1) saying too much and/or (2) not saying enough.

Some applicants may ramble on about themselves in a manner that may appear self-indulgent and not very appealing to the committee. Remember, this is an application essay, not an autobiography. Conversely, some applicants tend to say too little, perhaps hesitating to promote themselves too explicitly or not knowing what about themselves would be interesting to people whom they don’t know. In such cases, perhaps focusing more on what you want to do than on what you have already done (let your record speak for itself) may help in getting beyond self-inhibition.

Generally, keep in mind that the points about your life that you highlight should be somehow relevant to both your own interest in the field of study, as well as to the concerns of the admissions committee. In judging what information to include or exclude from your essay, try to balance academic, work-related, and personal information in a manner appropriate to your situation, goals, and the application requirements.

Additional Considerations

If you have additional, relevant information about yourself that does not easily fit into the essay, or into any other section of the university’s application, you may want to include a condensed resume or curriculum vitae with your application package. This is especially applicable to those who have worked professionally since having graduated from school. Relevant items here might include work experience, publications, and presentations, as well as language and computer skills.

Also, if you have experienced times of great hardship or extenuating circumstances that have negatively affected your academic performance at any time, provide a short explanatory statement. This is another one of those places where caution should be exercised: you want to explain the cause of your poor grades, etc. without alienating the reader by overdoing it. Once again, be specific and concise.

Tips for Writing a Personal Essay for Your College Application

Do start early. Leave plenty of time to revise, record, and rewrite. You can improve on your presentation.

Do read the directions carefully. You will want to answer the question as directly as possible, and you’ll want to follow word limits exactly. Express yourself as briefly and as clearly as you can.

Do tell the truth about yourself. The admission committee is anonymous to you; you are completely unknown to it. Even if you run into a committee member in the future, he will have no way of connecting your essay (out of the thousands he has read) to you.

Do focus on an aspect of yourself that will show your best side. You might have overcome some adversity, worked through a difficult project, or profited from a specific incident. A narrow focus is more interesting than broad-based generalizations.

Do feel comfortable in expressing anxieties. Everybody has them, and it’s good to know that an applicant can see them and face them.

Do tie yourself to the college. Be specific about what this particular school can do for you. Your essay can have different slants for different colleges.

Do speak positively. Negatives tend to turn people off.

Do write about your greatest assets and achievements. You should be proud of them!

Don’t repeat information given elsewhere on your application. The committee has already seen it-and it looks as though you have nothing better to say.

Don’t write on general, impersonal topics-like the nuclear arms race or the importance of good management in business. The college wants to know about you.

Don’t use the personal statement to excuse your shortcomings. It would give them additional attention.

Don’t go to extremes: too witty, too opinionated, or too “intellectual.”

Choosing the essay topic for your personal essay is easy as you are well familiar with the subject. Here are the most popular personal essay topic examples:

  • Describe Your Grandparents
  • My 10-Seconds Car
  • The Place I Want to Return
  • My Mother’s Hands
  • The Movie That Motivates Me
  • Me in Ten Years.

How to Write a Reader-Friendly Essay

Powerful, surprising, and fascinating personal essays are also “reader-friendly essays” that keep the reader squarely in focus. So how do you go about writing one? In this excerpt from Crafting the Personal Essay, author Dinty W. Moore shares a variety of methods for crafting an essay that keeps the reader’s desires and preferences in mind, resulting in a resonate and truly memorable piece. As Moore says, “Privacy is for your diary. Essays are for readers.”

Writing the Reader-Friendly Essay

Good writing is never merely about following a set of directions. Like all artists of any form, essay writers occasionally find themselves breaking away from tradition or common practice in search of a fresh approach. Rules, as they say, are meant to be broken.

But even groundbreakers learn by observing what has worked before. If you are not already in the habit of reading other writers with an analytical eye, start forming that habit now. When you run across a moment in someone else’s writing that seems somehow electric on the page, stop, go back, reread the section more slowly, and ask yourself, “What did she do here, put into this, or leave out, that makes it so successful?”

Similarly and often just as important, if you are reading a piece of writing and find yourself confused, bored, or frustrated, stop again, back up, squint closely at the writing, and form a theory as to how, when, or where the prose went bad.

Identifying the specific successful moves made by others increases the number of arrows in your quiver, ready for use when you sit down to start your own writing. Likewise, identifying the missteps in other writers’ work makes you better at identifying the missteps in your own.

Tennessee Williams’ wonderful play, A Streetcar Named Desire, comes from a real streetcar in New Orleans and an actual neighborhood named Desire. In Williams’ day, you could see the streetcar downtown with a lighted sign at the front telling folks where the vehicle was headed. The playwright saw this streetcar regularly—and also saw, of course, the metaphorical possibilities of the name.

Though this streetcar no longer runs, there is still a bus called Desire in New Orleans, and you’ve certainly seen streetcars or buses in other cities with similar, if less evocative, destination indicators: Uptown, Downtown, Shadyside, West End, Prospect Park.

People need to know what streetcar they are getting onto, you see, because they want to know where they will be when the streetcar stops and lets them off.

Excuse the rather basic transportation lesson, but it explains my first suggestion. An essay needs a lighted sign right up front telling the reader where they are going. Otherwise, the reader will be distracted and nervous at each stop along the way, unsure of the destination, not at all able to enjoy the ride.

Now there are dull ways of putting up your lighted sign:

This essay is about the death of my beloved dog.

Let me tell you about what happened to me last week.

And there are more artful ways.

Readers tend to appreciate the more artful ways.

For instance, let us look at how Richard Rodriguez opens his startling essay “Mr. Secrets”:

Shortly after I published my first autobiographical essay seven years ago, my mother wrote me a letter pleading with me never again to write about our family life. “Write about something else in the future. Our family life is private.” And besides: “Why do you need to tell the gringos about how ‘divided’ you feel from the family?” I sit at my desk now, surrounded by versions of paragraphs and pages of this book, considering that question.

Where is the lighted streetcar sign in that paragraph?

Well, consider that Rodriguez has

  • introduced the key characters who will inhabit his essay: himself and his mother,
  • informed us that writing is central to his life,
  • clued us in that this is also a story of immigration and assimilation (gringos), and
  • provided us with the central question he will be considering throughout the piece: Why does he feel compelled to tell strangers the ins and outs of his conflicted feelings?

These four elements—generational conflict between author and parent, the isolation of a writer, cultural norms and difference, and the question of what is public and what is private—pretty much describe the heart of Rodriguez’s essay.

Or to put it another way, at every stop along the way—each paragraph, each transition—we are on a streetcar passing through these four thematic neighborhoods, and Rodriguez has given us a map so we can follow along.

Another important step in making your personal essay public and not private is finding a measure of distance from your experience, learning to stand back, narrow your eyes, and scrutinize your own life with a dose of hale and hearty skepticism.

Why is finding a distance important? Because the private essay hides the author. The personal essay reveals. And to reveal means to let us see what is truly there, warts and all.

The truth about human nature is that we are all imperfect, sometimes messy, usually uneven individuals, and the moment you try to present yourself as a cardboard character—always right, always upstanding (or always wrong, a total mess)—the reader begins to doubt everything you say. Even if the reader cannot articulate his discomfort, he knows on a gut level that your perfect (or perfectly awful) portrait of yourself has to be false.

And then you’ve lost the reader.

The best writers never settle for the insight they find on the surface of whatever subject they are exploring. They are constantly trying to lift the surface layer, to see what interesting ideas or questions might lie beneath.

To illustrate, let’s look at another exemplary essay, “Silence the Pianos,” by Floyd Skloot.

Here is his opening:

A year ago today, my mother stopped eating. She was ninety-six, and so deep in her dementia that she no longer knew where she was, who I was, who she herself was. All but the last few seconds had vanished from the vast scroll of her past.

Essays exploring a loved one’s decline into dementia or the painful loneliness of a parent’s death are among the most commonly seen by editors of magazines and judges of essay contests. There is a good reason for this: These events can truly shake us to our core. But too often, when writing about such a significant loss, the writer focuses on the idea that what has happened is not fair and that the loved one who is no longer around is so deeply missed.

Are these emotions true?

Are they interesting for a reader?

Often, they simply are not.

The problem is that there are certain things readers already know, and that would include the idea that the loss of a loved one to death or dementia is a deep wound, that it seems not fair when such heartbreak occurs, and that we oftentimes find ourselves regretting not having spent more time with the lost loved one.

These reactions seem truly significant when they occur in our own lives, and revisiting them in our writing allows us to experience those powerful feelings once again. For this reason it is hard to grasp that the account of our loss might have little or no impact on a reader who did not know this loved one, or does not know you, and who does not have the emotional reaction already in the gut.

In other words, there are certain “private” moments that feel exhilarating to revisit, and “private” sentences that seem stirring to write and to reread as we edit our early drafts, but they are not going to have the same effect in the public arena of publishable prose.

In the last twenty years of teaching writing, the most valuable lesson that I have found myself able to share is the need for us as writers to step outside of our own thoughts, to imagine an audience made up of real people on the other side of the page. This audience does not know us, they are not by default eager to read what we have written, and though thoughtful literate readers are by and large good people with large hearts, they have no intrinsic stake in whatever problems (or joys) we have in our lives.

This is the public, the readers you want to invite into your work.

Self-expression may be the beginning of writing, but it should never be the endpoint. Only by focusing on these anonymous readers, by acknowledging that you are creating something for them, something that has value, something that will enrich their existence and make them glad to have read what you have written, will you find a way to truly reach your audience.

And that—truly reaching your audience and offering them something of value—is perhaps as good a definition of successful writing as I’ve ever heard.

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Personal Statement

When you are applying to a certain institution for a position, you need to submit an application with your resume and statement of purpose or personal statement. The statement is the most important part of these applications and that is why you need to pay a lot of attention when you are writing it. It is, however, not the easiest thing to do since you need to make sure that everything is perfectly put in a chronological manner so that the committee will be able to identify the different aspects of your personal statement.

When you are applying to a certain institution for a position, you need to submit an application with your resume and statement of purpose or personal statement. The statement is the most important part of these applications and that is why you need to pay a lot of attention when you are writing it. It is, however, not the easiest thing to do since you need to make sure that everything is perfectly put in a chronological manner so that the committee will be able to identify the different aspects of your personal statement.

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How to Write a Personal Essay

Intro. Three main points. Summary. Sex.

by Stanton Michaels, from Georgia Review

Photo by Fotolia/photopitu

The easiest way to write a personal essay is to use the standard form taught in Composition 101: an introductory paragraph followed by three paragraphs outlining three main points and a final summary paragraph. But instead of just blathering about yourself, describe vivid scenes and what they mean to you, such as when your 2-year-old son, Jordan, solemnly declares from the bathtub “I can’t swim—my penis is hard” and you tell him it’s OK, it’s normal, knowing it’ll subside and he’ll be able to swim soon, but you don’t tell him that teeny little weenie he’s holding will be the source of the most intense worries, sorrows, and pleasures he’ll ever experience, and you wonder if you’ll ever be able to tell him the truth. You could follow this thought with the trials and tribulations of your own penis, unless you’re a woman—but of course females are involved with love, sex, and life built around their own body parts, which can provide many interesting topics. The key to maintaining reader interest is to be open and honest, displaying your concerns and fears through specific, true-life examples rather than abstract concepts about how you think sex education is important because you learned the hard way on your own and you doubt you’ll explain things any better than your own father did. Follow this format and, while you may not become a world-renowned author, you will be able to complete a personal essay.

Use five sentences in each paragraph. Some authors, like Faulkner, write immensely long sentences that drift into nooks and crannies of life, enlightening the reader about how, at age 16, you were tricked by a girl into trying on ring sets from her mom’s jewelry-making equipment to find your ring size and later presented with a black onyx and silver ring you were too scared to wear because it implied going steady, which leads to sex, and Dad had just given you and your brother a box of Trojans the week before when Mom and Brooke had gone shopping at Sears for dresses and you were as uncomfortable as Dad when he grunted out his heart-to-heart “Use these to be safe,” especially since you’d recently calculated and realized he’d knocked Mom up with you when she was 16 and he was out of the army after a four-year hitch and you figured it must have happened by accident since their meeting was accidental, him picking her and her sisters up at a railroad crossing in the rain on Halloween and giving them a ride home, coming later to visit, finally getting down in April without a condom or maybe with one that broke and there you are in December but at least they’d gotten married over the summer and you realize it’s April now and you stare at the ring and finally throw it away and tell her later you don’t wear jewelry. Tough guys like Hemingway write short, straightforward sentences, such as: “The author stopped typing. His thick fingers lay bare on the keyboard. Although he’s been married for eight years, his ring finger is naked. His wife knows he doesn’t wear jewelry. Ever.” Yet other writers like to mix up the lengths of their sentences, using long, compound run-ons that begin with one thought then drive on to others but eventually circle back for completion, then follow with a short, crisp, prissy sentence that would satisfy an eighth-grade grammar teacher. Not me.

Write about things you’ve done or people you know, introducing your first true love or your first sexual encounter at age 17 crammed in the back of a Volkswagen Beetle with Danielle who will do it for free ’cause she has a crush on you and you need the experience to be ready for your true first time with Julie whom you love and can’t get off your mind while you’re wedged against the cold side window, remembering Julie’s taste, the force of her tongue in your mouth, the way she holds your hard-on like she knows what she wants and you need to be sure how to do it exactly right so here you are pumping away feeling cheap and drunk and ashamed and excited and sore and thinking sex should be a lot more fun or magical than this floundering on the back seat. You can write in sober first person (“I found later with Julie I didn’t need the practice session with Danielle”), but some feel this is self-serving and others, such as myself, need the safe distance from slivers of memory provided by humor, misdirection, and second or even third person (“At least he wore a condom both times”). Don’t take examples from television or books or newspapers unless they have an effect on you. Don’t write about Kurt Cobain’s suicide after achieving fatherhood or Jimi and Janis overdosing when you were a teen unless you’re a musician—even a part-time folk-rock banjo-picker—wondering how you ever made it out of adolescence since you were so horny yet scared of sex you could only function by smoking a joint first thing in the morning to slow down your thoughts yet still dragged home at midnight after playing a party and jerked off into a dark toilet bowl before passing out in bed worried if you’d wake the next morning and mostly hoping you wouldn’t, having all these memories from those horrid nights years ago cascade through your mind when you returned home from a jam session last Wednesday night a little drunk and then—after checking on Jordan and his sister sleeping peacefully—crying for Kurt who’ll never know his own child and crying for Jim Morrison and Carla Hill and Randy Batson who died in a car accident in high school and all the others you remember, knowing it was just luck you made it and they didn’t, finally wiping away the tears as you piss tequila residue into a murky toilet before going to sleep knowing you’re gonna drag tomorrow at work but sure you’ll wake up in time as you always do. Write about universal themes you’ve experienced personally and others can relate to, like love, fear, and death—or sex, drugs, and rock ‘n’ roll.

Use specific examples that stick to one theme. Don’t write generically about how condoms might break when you can write specifically about the first time with Melanie who’d just gotten over an abortion and her new IUD wasn’t ready yet so you ran back to your cabin at the summer camp where you were both counselors to get the jet-black, ribbed Love Machine you’d bought in a gas station in North Carolina and carried for two years for just such an occasion but after shredded pieces of black latex dripping with semen fell onto the rumpled sheets and Melanie stared like it was a loaded shotgun pointed right at her belly and all you could do was shrug “Sorry” and the only worry on your mind was when your next day off was so you could get to town and buy some that worked because this first time with her was what you’d always hoped sex would finally turn out to be—a fun, relaxed sharing of talk, laughter, and touch. Stick to one theme. Don’t write about Carla Hill in ninth grade when you were 14 if you’re writing about your sex life because she was murdered before anything happened, her throat cut in her own bed during an attempted rape the night before you’d finally mustered up enough courage to ask her to go steady and your buddies had helped you out by sitting in all the seats in the front, right-hand side of the bus where she always sat, leaving the only open space right next to you so she’d just have to sit there and you had your name bracelet all ready but she never got on and everyone else was sobbing, telling you about it. I feel that stories like that, despite being of possible interest, lack relevance to the major themes of “your sex life” in this essay and should be saved for some other piece of writing—unless, of course, you can tie the story in using a new focus, perhaps discovered while writing the essay, such as maybe realizing your refusal to wear jewelry has nothing to do with your dad, condoms, and pregnancy but is instead related somehow to your first attempt at commitment that went totally sour and you simply compensated in the best way your 14-year-old mind could think of.

Personal essays come in all kinds. Some are forms of reportage, such as those by John McPhee or Tracy Kidder, telling the truths about people they’ve interviewed yet injecting the honesty of the reporter’s perception rather than trying to pretend a writer has no slant that skews a story. Other essays deal with decisions made, such as when you finally decide to make a baby and Cheryl leaves her diaphragm out for the first time in 14 years and you laugh as you remember getting sick of her mom asking about grandkids and telling her you both wanted to get really good at sex before doing it for real and now here you are for real and scared if you’ll be good enough, and you’re not talking just about sex now. Essays can also be speculative: questions about found objects, thoughts about missed opportunities and things that never were, or memories that haunt you such as Lindsey in Washington, D.C., who lived in an all-women’s house that banned men and made you stand outside in the snow when you came over to get some banjo books abandoned by a former tenant but something happened and Lindsey moved into your room the weekend you hitched down to North Carolina as bodyguard and companion to her friend Rose and stayed when you got back to hump you two or three times a night until you got so raw you could hardly walk and with no talk or even real emotion of love or commitment to prevent you leaving a month later, but now you remember how there also wasn’t any talk of contraception because you’d assumed she took care of it since she was so much older, yet now you jerk awake in the middle of the night years later with the stark realization that a lesbian has no need of IUDs or diaphragms or the pill but she does need something to make a baby of her own and maybe there’s a little Stan Junior walking around someplace who is 6 years older now than you were then and you wonder if he’s as naive as you suddenly discover you were (probably still are) and the only minuscule iota of relief you can find is that at least you’ll never have to give him that man-to-man about the birds and bees. By baring your life, using concrete situations and honest thoughts, and following the basic rules of grammar and composition, you too can write a personal essay in 25 sentences.

From Georgia Review (Fall 1998). From the University of Georgia, Athens, GA 30602-9009.

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The personal essay is used all the time in applying for admissions to the college of your choice. Usually it is limited by the number of words; it is meant for the writer to search their inner self, but also to be creative, looking for ways to tells an interesting internal story without ittering the essay with the dreaded, repetitive “I”. This is often harder than we suppose, especially of you are a high school senior in toady’s educational system.

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